Local Story, Local Video, No Problem

“Good stories don’t just assume relevancy; they prove it.” So says the folks at American Press Institute. The rationale being that readers and viewers only take the time to consume stories that show they have personal importance or impact their immediate community.

It’s not a secret that digital media companies are fighting it out for readers, viewers (eyeballs!), as the market has become more fragmented and consumers look to social and mobile. At the same time, video has emerged as a driving force — a means by which newspapers and their digital counterparts can capture their audience and give them that context, that authenticity — that makes them feel the story is indeed personal and impacts their community.

Whether it’s to support the article, enhance it, or provide more emotional value, video is a key component for any newspaper’s strategy.

But getting that perfect video for every local text-based article is one thing, doing it is another.

Let’s face it — local is hard. Local video may seem loco. What newsroom has the time or money to run around getting video for everything?

The struggle is real, and while video syndication platforms have done a good job providing national and international coverage, they too don’t have the ability to get granular.

That’s where Stringr comes in.

Stringr is solving this with its on-request platform of over 75k videographers across the country who are ready anytime, anywhere to capture the video you want. Get breaking news, b-roll footage. Conduct on-camera interviews, cover events. Dig in and get visuals for your in-depth storytelling and creative advertising. Stream live.

Stringr has got you covered, with videographers, curators, editors, producers and more.

Stringr is working with newspapers to help support local journalism, by providing speed and cost efficiency.

Bottom line. You write the story, we’ll bring the camera.

Connect with Stringr at Mega-Conference to discuss how we can bring your local community together.

– Drew Berkowitz


Stringr Integrates Shutterstock API to Offer Photo and Video Assets into End-to-End Solution

New York, NY (November 12, 2018) – Stringr, the premier marketplace that allows media organizations to buy video footage from both amateur and professional videographers in an efficient, streamlined process, has integrated Shutterstock’s API to offer licensable photos, vectors, video clips and music tracks to Stringr customers. Shutterstock is a leading global technology company offering high-quality assets, tools and services through its creative platform.

“The combination of Stringr’s ability to request custom video and Shutterstock’s library of more than 225 million pieces of visual content gives our customers more options when working to quickly and easily publish content,” said Lindsay Stewart, CEO and Founder of Stringr. “Our goal is to offer a one-stop-shop to source, edit and publish content, and access to this vast library opens up the options for the sourcing portion of this publishing process.”

“Through the Shutterstock API, we aim to equip all creative professionals with the content, tools and services they need wherever they may be working,” said Alex Reynolds, GM of Platform Solutions at Shutterstock. “With more than 1 million assets being added to the Shutterstock collection every week, we can provide Stringr’s customers, including media publishers, with the freshest, high-quality content to license and download for all their projects.”


About Stringr

Stringr (www.stringr.com) is a comprehensive video marketplace that enables media organizations to source custom footage, edit and publish — under very tight deadlines.  The company leverages the only nationwide network of more than 60k highly responsive videographers who provide broadcast-quality video in every major US market. Stringr is based in NYC and was founded in 2014 by Lindsay Stewart and Brian McNeill, who met at The Wharton School.

Shooting A Solar Eclipse

Stages of Solar Eclipse

Viewers located along the total eclipse path from Salem, Oregon to Charlestown, South Carolina will see three eclipse stages, while the rest of the country will see partial eclipses of different variations.

The solar eclipse will occur in three stages: partial, total, partial.

Screen Shot 2017-07-31 at 5.25.06 PM

Credit: Imeida Joson and Edwin Aguirre

Solar Filters

To view the eclipse properly without damaging your eyes or camera sensors, you will need solar-viewing glasses or a solar filter for your camera. Note: The glasses and filters are only really needed for the partial eclipse stages because of the suns intensity.

Both solar-glasses and solar filters can be found on Amazon or B&H Photo.

Optics & Stabilization

To capture great footage of the solar eclipse you will want to fill the frame with as much of the sun/moon as you can. That requires either zooming in or having a longer lens on your camera.

You will need to stabilize your shot using a tripod or another solid foundation to avoid shake and other movements, which are multiplied when zoomed in.

Other supplementary shots to get are of people or crowds gathering to view the event, general festivities and reaction interviews to the eclipse.

Camera Settings

Manual Focus: To get the best and most consistent results, you will need to manually focus your shot.

ISO: Set your cameras ISO to 400 or higher. This will allow you to maintain a good shutter speed without adding too much motion blur.

Preparation & Don’t Forget!

Plan your route and shooting location. Scout it out ahead of time. This will allow you to properly execute the day of the eclipse, without having extra steps to think about.

Charge your batteries and make sure your memory cards have been formatted!

Clean your camera lenses and sensor to avoid having spots on your shots.

Check the weather and hope for clear skies!

How to: Shooting with Wind

by Kaitlyn Mitchell and James Payne

At Stringr, we always encourage you to utilize the natural sound (also known as nat sound) of the setting you are in. But sometimes that lovely nat sound can include high speed winds that make your Man-On-Street interviews unintelligible.

We’ve outlined the top techniques for coping with wind while shooting below:

  1. Avoid It: If you have an external microphone, position it to face away from the direction of the wind. If you’re shooting with just a smartphone, try to block wind with your back/body. This also applies if you’re doing a SOT interview.


2. Put something on the mic: There are several options when deciding what to cover your mic with:

A windscreen is just an inexpensive black foam microphone cover; however, they aren’t great for shooting in actual wind. Windscreens are better for breathing sounds or soft air movement, (i.e. you’d be better off using these in the great indoors).WSA deadcat is great at killing wind sound, because it is big and fluffy (and aptly named, as it rather resembles a dead kitty cat’s tail). These often slip over the original windscreen. The wind gets absorbed into all of the fluffiness and dampens that horrible sound.


3. Edit it out: Usually we recommend that you submit your raw footage to Stringr; however, if you do have experience using editing programs or apps, this can be an effective way to remove the wind sound from your MOS interview. If you like editing on your smartphone, try apps like MoviePro or FilMic. For traditional video editing, Adobe Premiere is a fantastic desktop program, albeit it takes a considerable amount of time to learn how to use and is pricey.

Screen Shot 2015-12-01 at 11.51.51 PM

But even if your video clips do contain wind, don’t stress! Wind is natural sound, after all; and nat sound is always preferred over hearing the latest Justin Bieber track blasting on your car stereo in the background of your footage.

Just belieb in the power of your raw footage (see what we did there?)… As always, string on, Stringrs!




Interview Etiquette: Making the Fourth Wall Disappear

This week on the Stringr blog, we have tips on interview etiquette. If you don’t know the industry term “MOS,” read up — with the increase in protests around the world, we’ll be making footage requests asking for man-on-the-street interviews more often!


by Kaitlyn Mitchell
Here at Stringr’s SoHo office, we’re thrilled to see Stringrs eagerly accept our footage requests at every hour of the unrelenting news cycle; though of course we don’t subscribe to the “if it bleeds, it leads” ethos espoused by the 2014 thriller film Nightcrawler.

Jake Gyllenhaal in Nightcrawler;Image: The Independent UK

As a member of the curation team, I often watch Stringrs approach scenes with emergency medical personnel, the police department, and/or the fire department present. Last week, our in-house video producer James gave fantastic technical pointers on sit-down and Man on the Street, called MOS, interviews in his How-To  series. Now that we’ve covered the basics of framing an interview properly, it’s worth going over interview etiquette.

Last week, there was a residential building fire in Ridgewood, Queens that I covered for Stringr. I noticed that there was at least one professional…

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Smartphone Camera Comparison: Samsung Galaxy S6 Edge Vs. Apple iPhone 6 Plus

Time for your upgrade, and not sure which smartphone to purchase? Read our comparison of iPhone vs. Samsung phone cameras before you buy.


Here at Stringr, we receive a lot of footage from both iPhone and Android users. We often get asked which smartphone is better for shooting video.  While we won’t tell you what phone to buy, we will show you which phone captures better video.  In this test, we have a side-by-side camera comparison between the Iphone6+ and the Samsung Galaxy S6 Edge.  Here is a breakdown of each phones camera specs.

The iPhone 6+ has a 8MP camera and shoots 1080p video at 30 or 60fps. It has an aperture of f2.2 with a focal length equal to 29mm. The camera can also shoot slow motion at 240fps at 720p.

The Samsung Galaxy S6 Edge has a 16MP camera and shoots 4K video at 30fps. It has an aperture of f1.9 with a focal length equal to 28mm. The camera also shoots slow motion at 120fps at 720p.

When it…

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How-To: Shoot Evergreen Footage

Evergreen footage is a great way for Stringrs to make extra cash when breaking news is slow. Check out our brief video guide for making your footage stand out to our customers.


Stringr is a video marketplace and we accept all kinds of footage. Whether you are responding to a footage request or  just shooting independently.

If you choose to shoot non requested footage, it is always great to capture what the industry calls “evergreen” footage. Also known as beauty shots. These shots can be used over and over again.

The footage is typically a visually pleasing wide shot. It can be used as a filler, opening, ending or can stand alone.

Here are a few tips in shooting evergreen footage.

Pay attention to your composition. This gets you that beautiful, clean shot. Keep an eye on all edges and remember the rule of thirds. However, changing the composition is where great creativity comes to play.

You don’t have to be in a park to get evergreen footage. These shots can be wide city shots, landmarks or even creative time lapses.


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Technical How-To: Ensuring a video upload size of 16×9

Occasionally, Stringrs submit smartphone footage with the incorrect screen aspect ratio. Read this blog post for a quick fix.


by Kaitlyn Mitchell

This week’s blog post is quite technical, but we’re hoping it helps you out, Stringrs. Daily video submissions from Stringrs often appear on our platform in a smaller size than our customers prefer.

This is common problem that Stringr’s curation team comes across when carefully reviewing all of your video footage submissions: Some of the videos come in with a 4×3 aspect ratio, instead of 16×9. The aspect ratio is a term to describe the frame size of the video when it is eventually viewed.

At Stringr, the bare minimum requirements for your video to be promoted to our customers include:

  •  The video must be shot horizontally
  • The video must be shot with a 16×9 frame aspect ratio
  • The video must be newsworthy
  • The video must be nicely shot

Luckily for you iPhone users, the iPhone will ONLY export 1080p quality video via the 16×9 aspect ratio.

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How-To: Shot Variety

Shot variety is essential for making your video stand out to customers on our platform. Learn the tricks of the trade in this video tutorial by our video producer James.


One of the best ways to be a successful stringr is to capture a variety of shots. This will help you shoot a sequence that will tie together nicely.

But capturing a sequence isn’t always necessary. Shooting a variety of wide, medium and close shots, gives editors more to work with.

No matter what the request is, begin by working around the location. If you are close to the subject, work your way backwards. If you are far, work your way forward. To begin, record a variety of shots moving in one direction.

Once you have several wide shots, take a few steps forwards and repeat that process, shooting several medium shots while moving in the other direction.

After shooting at least three different shots in each phase, step closer and do another pass capturing close shots.

Finally, after gathering a number of different wide, medium and close shots, capture…

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Children on the Spotlight: Ethics on how to film children

Filming kids in public can get you into muddy waters when it comes to journalistic ethics. In this blog post, we’ll explain how to make sure you’re not breaking the law in this situation.


By Nilda Melissa Diaz

Receiving a request from Stringr often, if not always, means that you will be filming complete strangers. People going about their day at a street fair, sports fans tailgating, passersby after a vehicular collision etc. The law is on your side as you can record people as long as they are in public areas, such as sidewalks and streets. But what should you do when it comes to filming children?


Children טף

Children and minors are not exempt from being recorded and photographed in public places. But the general consensus in the media is to proceed with caution; they’re seen as vulnerable human beings. This is why B-roll often includes the back of their heads, their legs or a somewhat blurred image.

The Ethical Journalism Initiative (EJI), “a global campaign of programs and activities to support and strengthen quality in media”, launched in…

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